Based on a true story…
Sheltered from street view and behind the gate leads a path. To the old water oak, that tonight displays the sign of the hanged man; upside down, arms spread, insisting a choice be made. The paving stones to the house or up the hill back to the world.
Downward on the path to the threshold a spiked necked mongrel stands guard. A token gift promises safe passage, one way at least. Mirrors in the vestibule shine back candlelight and shows faces adorned, and not quite real.
In the main hall, guests all sit, passive, their frozen faces painted in gruesome display, staring at the black robed man paces in the prison he has painted on the floor. Spiraling in towards the tome laid open on the floor. The last few are seated around. The lights are dimmed, leaving only candle flame and an odd glow from runes on the floor.
A harlequin in domino, visage of smiling death, bells tinkling, nods and the droning pipes begin. A low, steady rhythm that can be felt in the bones. From a dark corner the jinn motions his hands and draws unearthly percussive notes from the air, as if some invisible organ plays them. A rabbit faced woman begins to pluck the strings of her long necked and alien instrument. The flock inhales as one gaping mouth. The black clad magus begins to read aloud from his book of blasphemies.
His voice his raspy and unsteady, near stumbles through the words. Fearful of a misspoke syllable that might displease his host. Gaining speed and courage as the work flows through him, out of him and into the ears of this singular night. He finds the pace amidst the subtle changes of the pipers drone. His voice touches the notes of the composer and melody driven by the strings. Together they weave the call. From an open door the damp smell of new fog drifts in from the world outside. In his strange words he sings of the worlds both old and new. Intones things beyond his vision. He dances in his circle and calls them, asks them, begs them, to draw nearer. To hear him, to see him, to wrap their arms about him. To love him, as he has always loved them. He makes flowing gestures with his arms and implores them to be here on this sacred night. He makes them the ancient promise in unknown words, and it is done.
The pipes, the music, his voice all stop without warning or cue.
The flock exhales. They look at each other oddly. Unsure of what they witnessed, or of what to next. A few moments of awkward glances, the rise and mill about. When they are certain there is no more to be done they slowly, in small groups walk out to the yard to make what can be from the rest of this special night.
The magus turns towards his fellows and smiles. Outside there is a sharp, inhuman roar, followed by all too human cries of fear. He shrugs as he looks out the window to the scene on the lawn. The guitarist joins him raising her mask. Wondering how she was going to get all this crap unstuck from her instrument.
It had been a good turn out for the night. The show went well, except maybe some of the party guests had eaten a few to many of those brownies. The mystic symbols in the glow in the dark paint, under the black light had been a nice touch. Too bad that asshole in the Leatherface mask was chasing people around with his chainsaw now.
“Who the fuck invited that guy?”
“That’s Josh.” The skull faced jester said setting his didgeridoo aside.
The vocalist adjusted the robe, “What a douche.”
“We already knew that. Fuck it dude, it’s Halloween, let him have his fun.”
“I guess you’re right.”
2 thoughts on “On That Hallowed Night”
Actually barked out loud, laughing.
“Who the fuck invited that guy?” “That’s Josh.”
Yeah, about the only thing I ever got out of knowing that particular Josh was that punchline.